{"id":12170,"date":"2020-04-25T15:27:51","date_gmt":"2020-04-25T11:27:51","guid":{"rendered":"https:\/\/theysaidbooks.com\/shop\/diane-arbus-monography\/"},"modified":"2024-06-06T05:13:21","modified_gmt":"2024-06-06T01:13:21","slug":"%e1%83%ac%e1%83%98%e1%83%92%e1%83%9c%e1%83%98-diane-arbus-monography","status":"publish","type":"product","link":"https:\/\/theysaidbooks.com\/ka\/product\/%e1%83%ac%e1%83%98%e1%83%92%e1%83%9c%e1%83%98-diane-arbus-monography\/","title":{"rendered":"\u10ec\u10d8\u10d2\u10dc\u10d8 Diane Arbus Monography"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-9704\" src=\"https:\/\/theysaidbooks.com\/wp-content\/uploads\/2020\/04\/345-283x300.jpg\" alt=\"\" width=\"283\" height=\"300\" srcset=\"https:\/\/theysaidbooks.com\/wp-content\/uploads\/2020\/04\/345-283x300.jpg 283w, https:\/\/theysaidbooks.com\/wp-content\/uploads\/2020\/04\/345-1000x1059.jpg 1000w, https:\/\/theysaidbooks.com\/wp-content\/uploads\/2020\/04\/345-967x1024.jpg 967w, https:\/\/theysaidbooks.com\/wp-content\/uploads\/2020\/04\/345-768x814.jpg 768w, https:\/\/theysaidbooks.com\/wp-content\/uploads\/2020\/04\/345-1450x1536.jpg 1450w, https:\/\/theysaidbooks.com\/wp-content\/uploads\/2020\/04\/345-47x50.jpg 47w, https:\/\/theysaidbooks.com\/wp-content\/uploads\/2020\/04\/345.jpg 1665w\" sizes=\"(max-width: 283px) 100vw, 283px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In May 1971,\u00a0Artforum, bastion of late modernism, featured the work of a photographer for the very first time. On its\u00a0cover and in a six-page spread, it published selections from Diane Arbus portfolio,\u00a0A box of ten photographs. In the\u00a0words of the magazine editor and photography skeptic, Philip Leider, The portfolio changed everything . . . one\u00a0could no longer deny status as art. At the time of Arbus death, two months later, only four of the\u00a0intended edition of fifty had been sold. Two had been purchased from Arbus by Richard Avedon (the first for himself,\u00a0the second as a gift for his friend Mike Nichols); another was purchased by Jasper Johns; and a fourth by Bea Feitler,\u00a0art director at Harper Bazaar. Arbus signed the prints in all four sets; each print was accompanied by an interleaving\u00a0vellum slip-sheet inscribed with an extended caption. For Feitler, Arbus added an eleventh photograph,\u00a0A woman\u00a0with her baby monkey, N.J.\u00a01971.<\/p>\n","protected":false},"featured_media":9705,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_cat":[670,658],"product_tag":[661],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/theysaidbooks.com\/ka\/wp-json\/wp\/v2\/product\/12170"}],"collection":[{"href":"https:\/\/theysaidbooks.com\/ka\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/theysaidbooks.com\/ka\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/theysaidbooks.com\/ka\/wp-json\/wp\/v2\/comments?post=12170"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theysaidbooks.com\/ka\/wp-json\/wp\/v2\/media\/9705"}],"wp:attachment":[{"href":"https:\/\/theysaidbooks.com\/ka\/wp-json\/wp\/v2\/media?parent=12170"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/theysaidbooks.com\/ka\/wp-json\/wp\/v2\/product_cat?post=12170"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/theysaidbooks.com\/ka\/wp-json\/wp\/v2\/product_tag?post=12170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}